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in der dritten Person
Angleščina
Angleščina
Nemščina
Nemščina
ˈthird-per·son PRID. atribut., nesprem. LINGV., LIT.
in der dritten Person nach samost.
third ˈper·son SAM.
1. third person (person):
Dritte(r) ž. spol(m. spol)
2. third person LINGV.:
nar·ra·tor [nəˈreɪtəʳ, am. angl. ˈnereɪt̬ɚ] SAM.
Erzähler(in) m. spol (ž. spol) <-s, ->
Ich-Erzähler(in) m. spol (ž. spol)
Er-/Sie-Erzähler(in) m. spol (ž. spol)
Nemščina
Nemščina
Angleščina
Angleščina
PONS OpenDict

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Prosimo, pošljite nam nov vnos za PONS OpenDict. Oddane predloge pregleda uredniška ekipa PONS in jih ustrezno vključi v rezultate.

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Enojezični primeri (nepregledani od uredništva PONS)
The person who can withhold the water pressure for the longest time, wins the task.
en.wikipedia.org
In an NLP perspective, it is not very important "per se" whether a person "sees" or "hears" some memory.
en.wikipedia.org
For example, when a person is feeling guilty about something he did earlier, he will perceive the people around him as also feeling guilty.
en.wikipedia.org
The breathalyzers never fail to detect a truly drunk person.
en.wikipedia.org
Like chicken pox, it is a disease that tends to be severe the later in life a person contracts the disease.
en.wikipedia.org
Primeri iz spleta (nepregledani od uredništva PONS)
[...]
A narrator from Boeotian Thebes tells his Athenian friend how Thebes was liberated from Spartan domination in a fateful night of midwinter 379/8 BC and connects this with the retelling of a fascinating philosophical discussion about the famous daimonion of Socrates in the afternoon and evening before.
[...]
www.mohr.de
[...]
Ein Erzähler aus dem böotischen Theben erzählt seinem athenischen Freund, wie Theben in einer schicksalhaften Nacht mitten im Winter 379/78 v.Chr. von spartanischer Herrschaft befreit wurde, und kombiniert dies mit der Wiedergabe eines faszinierenden philosophischen Gesprächs über das berühmte daimonion des Sokrates, das am vorangehenden Nachmittag und Abend stattfand.
[...]
[...]
In this film, a series of free associative fantasies about literature, history and the figure of the Don Quijote, a water-spouting fountain is to be seen for some moments, a setting which resolves in a cross-fade to sea waves, whilethe voice of the narrator is to be heard.
[...]
www.viennale.at
[...]
In diesem Film, einer freien Phantasie über Literatur, Geschichte und die Figur des Don Quijote, ist für einige Augenblicke ein wasserspeiender Brunnen zu sehen, eine Einstellung, die sich in einer Überblendung in Meereswellen auflöst, während aus dem Off die Stimme des Erzählers zu hören ist.
[...]
[...]
Yto Barrada digs into her family history and narrates sixteen “myths”, based on unreliable narrators and unverifiable stories, which she illustrates with strangers\' home movies and archival films from the last half-century in Morocco.
www.kinoderkunst.de
[...]
Yto Barrada erzählt sechzehn „Mythen“ aus ihrer Familiengeschichte, die auf unzuverlässigen Erzählern und nicht nachprüfbaren Geschichten basieren, und illustriert diese anhand von Familienfilmen fremder Leute sowie Archiv-Aufnahmen aus dem letzten halben Jahrhundert in Marokko.
[...]
Sometimes the narrator individualizes his experience from a first-person perspective, but often he writes as one of the group of prisoners (“we”), who, addressed by their numbers and counted in terms of “pieces,” were dehumanized by the SS:
www.wollheim-memorial.de
[...]
Manchmal individualisiert der Erzähler sein Erleben aus der Ich-Perspektive, oft schreibt er jedoch aus der Gruppe der Häftlinge heraus („wir“), die, mit Nummern benannt und gezählt nach „Stück“, von der SS entmenschlicht wurden:
[...]
But you never have any inkling of what it will bring, as the narrator surprises us each time.
[...]
www.goethe.de
[...]
Man kann aber nie ahnen, was sie bringen wird, der Erzähler überrascht uns jedes Mal neu.
[...]